Same Script, Different Cast

[Trigger warning for racism; classism; sexual violence.]

A caveat: I have not seen "The Help." I do not plan to see "The Help," yet I feel pretty confident that I have "The Help" all figured out. If you don't know about this film, please see this post. I'm going to ground my thoughts about "The Help" in two other documents I will link: Valerie Boyd's review entitled, "'The Help,' a feel-good movie for white people" and "An Open Statement to the Fans of 'The Help'" from the Association of Black Women Historians (ABWH). A brief description from Boyd:

"The Help" — the film adaptation of the best-selling novel by Atlanta author Kathryn Stockett — is a feel-good movie for a cowardly [wrt to the ways we deal (or don't deal) with issues of race] nation.

Despite its title, the film is not so much about the help — the black maids who kept many white Southern homes running before the civil rights movement gave them broader opportunities — as it is about the white women who employed and sometimes terrorized them.

And there you have it, the problem at the heart of works like "The Help" that blossoms into myriad other problems—the centering of white women in a story that is supposed to be about women of color, the positioning of white women as saviors who give WoC voice. As my colleagues in the ABWH note,

Despite efforts to market the book and the film as a progressive story of triumph over racial injustice, The Help distorts, ignores, and trivializes the experiences of black domestic workers.

I want to meld these critiques of "The Help" with my own, which is rooted in who I am: My name is elle, and I am a granddaughter of "The Help." And while I can never begin (and would never want) to imagine myself as the voice of black domestic workers, I can at least share some of their own words with you and tell you some places you can find more of their words and thoughts.

I. The Help's representation of [black domestic workers] is a disappointing resurrection of Mammy… [p]ortrayed as asexual, loyal, and contented caretakers of whites…—ABWH

Early on in "The Help," we hear the maids complain that they've spent decades raising little white girls who grow up to become racists, just like their mothers. But this doesn't stop Aibileen from unambiguously loving the little white girl she's paid to care for. —Boyd

When you put white women at the center of a story allegedly about black women, then the relationships between those two groups of women is filtered through the lens and desires of white women, many of whom want to believe themselves "good" to black people. That goodness will result in the unconditional love, trust and loyalty of the black people closest to them. They can remember the relationships fondly and get teary-eyed when they think of "the black woman who raised me and taught me everything." They fancy themselves as their black nanny's "other children" and privilege makes them demand the attention and affection such children would be showed.

From a post I wrote some time ago:

I hated, hated, hated that my grandmother and her sister were domestics.

Not because I was ashamed, but because of the way white people treated them and us.

Like… coming to their funerals and sitting on the front row with the immediate family because they had notions of their own importance. "Nanny raised us!" one of my aunt's "white children" exclaimed, then stood there regally as the family cooed and comforted her.

But, as the granddaughter of the help, I learned that the woman my grandmother's employers and their children saw was not my "real" grandmother. Forced to follow the rules of racial etiquette, to grin and bear it, she had a whole other persona around white people. It could be dangerous, after all, to be one's real self, so black women learned "what to say, how to say it, and sometimes, not to say anything, don't show any emotion at all, because even just your expression could cause you a lot of trouble."** They wore the mask that Paul Laurence Dunbar and so many other black authors have written about. It is at once protective and pleasant, reflective of the fact that black women knew "their white people" in ways white people could never be bothered to know them. These were not equal relationships in which love and respect were allowed to flourish.

Indeed, with regard to the white children for whom they cared, black women often felt levels of "ambiguity and complexity" with which our "cowardly nation" is uncomfortable. Yes, my grandmother had a type of love for the children for whom she cared, but I knew it was not the same love she had for us. I think August Boatwright in the film adaptation of "The Secret Life of Bees" (another film about relationships between black and white women during the Civil Rights Era that centers a white girl) voiced this ambiguity and complexity much better. When her newest white charge, Lily, asks August if she loved Lily's mother, for whom August had also cared, August is unable to give an immediate, glowing response. Instead, she explains how the situation was complicated and the fragility of a love that grows in such problematic circumstances.

Bernestine Singley, whose mother worked for a white family, was a bit more blunt when the daughter of that family claimed that Singley's mother loved her:

I'm thinking the maid might've been several steps removed from thoughts of love so busy was she slinging suds, pushing a mop, vacuuming the drapes, ironing and starching load after load of laundry. Plus, I know what Mama told us when she, my sister, and I reported on our day over dinner each night and not once did Mama's love for the [white child for whom she cared] find its way into that conversation: She cleaned up behind, but she did not love those white children.

II. The caricature of Mammy allowed mainstream America to ignore the systemic racism that bound black women to back-breaking, low paying jobs where employers routinely exploited them. Furthermore, African American domestic workers often suffered sexual harassment as well as physical and verbal abuse in the homes of white employers.—ABWH

From films like "The Help," we can't know what life for black domestic workers is/was really like because, despite claims to the contrary, it's not black domestic workers talking! The ABWH letter gives some good sources at the end, and I routinely assign readings about situations like the "Bronx Slave Market" in which black women had to sell their labor for pennies during the Depression. The nature of domestic labor is grueling, yet somehow that is always danced over in films like this.

As is the reality of dealing with poorly-paid work. In her autobiographical account, "I Am a Domestic," Naomi Ward describes white employers' efforts to pay the least money and extract the most work as "a matter of inconsiderateness, downright selfishness." "We usually work twelve to fourteen hours a day, seven days a week," she continues, "Our wages are pitifully small." Sometimes, there were no wages, as another former domestic worker explains: "I cleaned house and cooked. That's all I ever did around white folks, clean house and cook. They didn't pay any money. No money, period. No money, period."**

Additionally, the job came with few to no recognizable benefits. The federal government purposely left work like domestic labor out of the (pathetic) safety net of social security, a gift to southerners who wanted to keep domestic and agricultural workers under their thumbs. After a lifetime of share-cropping and nanny-ing, my grandmother, upon becoming unable to work, found that she was not eligible for any work-based benefit/pension program. Instead, she received benefits from the "old age" "welfare" program, disappearing her work and feeding the stereotype of black women as non-working and in search of a handout. (I want to make clear that I am a supporter of social services programs, believe women do valuable work that is un- or poorly-remunerated and ignored/devalued. So, my issue is not that she benefited from a "welfare" program but how participation in such programs has been used as a weapon against black women in a country that tends to value, above all else, men's paid work.)

The control of black people's income also paid a psychological wage to white southerners:

[Their white employers gave] my grandmother and aunt money, long after they'd retired, not because they didn't pay taxes for domestic help or because they objected to the fact that our government excluded domestic work from social insurance or because they appreciated the sacrifices my grandmother and her sister made. No, that money was proof that, just as their slaveholding ancestors argued, they took care of their negroes even after retirement!

The various forms of verbal and emotional abuse suffered are also glossed over to emphasize how black and white women formed unshakeable bonds. By contrast, Naomi Ward described the conflicted nature of her relationships with white women and being treated as if she were "completely lacking in human dignity and respect." In Coming of Age in Mississippi, Anne Moody says of her contentious relationship with her employer, Mrs. Burke, "Mrs. Burke had made me feel like rotten garbage. Many times she had tried to instill fear within me and subdue me…" Here, I wrote a bit about the participation, by white women, in the subjugation of women of color domestic workers.

And what of abuse by white men? " 'The Help's' focus on women leaves white men blameless for any of Mississippi's ills," writes Boyd:

White male bigots have been terrorizing black people in the South for generations. But the movie relegates Jackson's white men to the background, never linking any of its affable husbands to such menacing and well-documented behavior. We never see a white male character donning a Klansman's robe, for example, or making unwanted sexual advances (or worse) toward a black maid.

This a serious exclusion according to the ABWH, "Portraying the most dangerous racists in 1960s Mississippi as a group of attractive, well dressed, society women, while ignoring the reign of terror perpetuated by the Ku Klux Klan and the White Citizens Council, limits racial injustice to individual acts of meanness."

Why the silence? Well, aside from the fact that this is supposed to be a "feel good movie," when you idolize black women as asexual mammies in a culture where rape and sexual harassment are often portrayed as compliments/acknowledgements of physical beauty (who would want to rape a fat, brown-skinned woman?!), then the constant threat of sexual abuse under which many of them labored and still labor vanishes. But black women themselves have long written about and protested this form of abuse. My own grandmother told me to be careful of white boys who would try to make me "sneak around" with them and an older southern man who was a fellow grad student told me that he and other southern men believed it was "good luck" to sleep with a black woman. Here, in the words of black women, are acknowledgements of how pervasive the problem was (is):

"I remember very well the first and last work place from which I was dismissed. I lost my place because I refused to let the madam's husband kiss me... I believe nearly all white men take, and expect to take, undue liberties with their colored female servants."*

"The color of her face alone is sufficient invitation to the southern white man… [f]ew colored girls reach the age of sixteen without receiving advances from them."*

"I learned very early about abuse from white men. It was terrible at one time and there wasn't anybody to tell."**

These stories abound in works like Stephanie Shaw's What a Woman Ought to Be and Do, Paula Giddings's When and Where I Enter, Deborah Gray-White's Too Heavy a Load and other books where black women are truly at the center of the story. Black women's concern over sexual abuse is serious and readily evident, but "The Help," according to the ABWH, "makes light of black women's fears and vulnerabilities turning them into moments of comic relief."

III. The popularity of this most recent iteration [of the mammy] is troubling because it reveals a contemporary nostalgia for the days when a black woman could only hope to clean the White House rather than reside in it.—ABWH

This mention of the White House is not casual (Boyd opens her review with an Obama-era reference, as well). I'm currently working on a manuscript that examines portrayals of black women and issues of our "desirability," success, and femininity in media. To sum it up, we, apparently, are not desirable or feminine and our success is a threat to the world at large. Many black women are trying to figure out why so much is vested in this re-birthed image of us (because it's not new). One conclusion is that it is a counter to the image of Michelle Obama. By all appearances successful, self-confident, happily married and a devoted mother, she's too much for our mammy/sapphire/jezebel-loving society to take. And so, the nostalgia the ABWH mentions comes into play. It's a way to keep us "in our place."

It happens every day on a smaller scale to black women. I remember someone congratulating me in high school on achieving a 4.0 and saying that maybe my parents would take it easy on me for one-six weeks chore-wise. The white girl standing with us, who always had a snide comment on my academic success, quickly turned the conversation into one about how she hated her chores and how she so hoped the black lady who worked for them, whom she absolutely adored, would clean her room.

Even now, one of my black female colleagues and I talk about how some of our students "miss mammy" and it shows in how they approach us, both plus-sized, brown-skinned black women with faces described as "kind." I do not need to know about the black woman who was just like your grandmother, nor will I over-sympathize with this way-too-detailed life story you feel compelled to come to my office and (over)share.

IV. [T]he film is woefully silent on the rich and vibrant history of black Civil Rights activists in Mississippi. Granted, the assassination of Medgar Evers, the first Mississippi based field secretary of the NAACP, gets some attention. However, Evers' assassination sends Jackson's black community frantically scurrying into the streets in utter chaos and disorganized confusion—a far cry from the courage demonstrated by the black men and women who continued his fight.—ABWH

Embedded in this is perhaps the clearest evidence of the cowardliness of our nation. First, we cannot dwell too long on racism, in this case as exemplified in the Jim Crow Era and by its very clear effects. "Scenes like that would have been too heavy for the film's persistently sunny message," suggests Boyd. I'd go further to suggest that scenes like that are too heavy for our country's persistently sunny message of equal opportunity and dreams undeferred.

Second, when we do have discussions on the Jim Crow Era, we have to centralize white people who want to be on what most now see as the "right" side of history. They weren't just allies, they did stuff and saved us! And so, you get stories like "The Help" premised on the notion that "the black maids would trust Skeeter with their stories, and that she would have the ability, despite her privileged upbringing, to give them voice." Or like "The Long Walk Home," (another film about relationships between black and white women during the Civil Rights Era that centers… well, you get it) in which you walk away with the feeling that, yeah black people took risks during the Montgomery Bus Boycott, but the person who had the most to lose, who was bravest, was the white woman employer who initially intervened only because she wanted to keep her "help."

These stories perpetuate racism because they imply that is right and rightful that white people take the lead and speak for us. (On another note, how old is this storyline? Skeeter's appropriation of black women's stories and voices, coupled with the fact that "Skeeter, who is simply taking dictation, gets the credit, the byline and the paycheck" reminded me so much of "Imitation of Life," when Bea helps herself to Delilah's pancake recipe, makes millions from it, keeps most for herself and Delilah is… grateful?!) The moral of these stories is, where would we have been without the guidance and fearlessness of white people?

I know this moral. That's why I have no plans to see "The Help."

_______________________

*From Gerda Lerner, Black Women in White America.

**From Anne Valk and Leslie Brown, Living with Jim Crow.

_______________________

Thank You, Wanda Sykes

...for getting to the heart of why articles like this:



bug the hell out of me.

I won't pretend that I remember all the details of the article--I read it while waiting in the dentist's office. That was a nightmare because I have a jacked mouth and I can't clearly recall much about that day. :-)

I do know the article had a "This group thinks this of her; that group thinks that. Who is she really???" sort of vibe.

Wanda Sykes gets at the heart of the "Who is she really???" question.



H/T Anxious Black Woman

Why Your Community Ain't Like Mine

Subtitle: And How You Make Sure I Know That I'm Not Welcome. A recent look around the blogosphere and mental cataloguing of episodes of epic fail prompted me to think about community, and lack of community, and "exclusion" right now. These are some of my (incomplete, choppy, certainly not perfectly worded) reflections.

Part One: Realize that parents are people. Realize that parents are the same people you knew before… Realize that parents can be activists, but they are also parents. -Noemi

when you have a child
no one finds it tragic.
no map records it as an instance of blight. -Alexis Pauline Gumbs

They would chop me up into little fragments and tag each piece with a label... Who, me confused? Ambivalent? Not so. Only your labels split me. -Gloria Anzaldúa

I’m teaching a class this summer in black women’s history. The other night, I previewed a film about Mrs. Ida B. Wells-Barnett. Commonly described as “unflinching” and “uncompromising, she was active in anti-lynching and civil rights agitation. She was also a suffragist. One of her friends was Susan B. Anthony. The relationship between the two women hit a rocky patch in the 1890s, when Wells married and began to have children.


Wells-Barnett noticed that Anthony’s attitude toward her changed. In the film, Paula Giddings, one of Wells-Barnett’s biographers, noted that Anthony began to “bite out” Wells-Barnett’s married name.

Eventually, Wells-Barnett felt it necessary to call Anthony out about it:

Finally, I said to her, “Miss Anthony, don’t you believe in women getting married?” She said, “Oh, yes, but not women like you who had a special call for special work. I too might have married but it would have meant dropping the work to which I had set my hand. She said, “I know of no one better fitted to do the work you had in hand than yourself. Since you have gotten married, agitation seems practically to have ceased. Besides, you have a divided duty. You are here trying to help in the formation of [the Afro-American] League and your eleven month old baby needs your attention at home. You are distracted over the thought that maybe he is not being looked after as he would if you were there, and that makes for divided duty.”*

Anthony was questioning Wells-Barnett’s dedication, her supposed prioritization. She had her own perception of what Wells-Barnett’s activism should’ve looked like and resented the change. What she didn’t understand, according to Wells-Barnett, was that “I had been unable… to get the support which was necessary to carry on my work [and] had become discouraged in the effort to carry on alone.”

I thought about this question Noemi asked wrt community-building:

[E]ver think why parents stop being involved in community events and meetings?

What does it mean when what you believed to be community abandons you?

I also thought about Kevin. He has, to put it lightly, been disturbed by the attacks on First Lady Michelle Obama by feminists who question her “feminist creds” and deride her dedication to family. “This shit goes way back, Kev,” I wanted to say after watching that documentary.

What I had said to him when he noted all the “Stepford Wife” comparisons, was “WoC are never supposed to prioritize our children and families.” Defined as laborers, our work is always presumed to better serve someone else's needs or goals. That other women think they can tell us how to be feminists is no surprise.

But my answer had it shortcomings. It’s not so much a matter of priorities. One thing I’ve learned by studying early black feminists is that some of those divisions are false—their activism was shaped to improve the lives of women, their families, and their communities. There was not necessarily a sense of "divided duty." Activism is not always easily divisible into neat categories. That's why those black clubwomen believed "a race can rise no higher than its women." That's why Anna Julia Cooper wrote

Only the BLACK WOMAN can say "when and where I enter, in the quiet, undisputed dignity of my womanhood, without violence and without suing or special patronage, then and there the whole Negro race enters with me."

Susan Anthony's distress and the more spiteful critiques of Michelle Obama fail to take into account this interconnectedness. But these critiques prompt me to think also of Little Light's words, about how threatening our love and our attempts to define our lives and our activism for ourselves can be perceived:

It is time for us to acknowledge that our love is an act of war.

It seems distasteful to say. It feels wrong. Our love, our lives, our nurtured gardens and families, we say, these are not weapons. These are not acts of violence. To us, they are not.

Nonetheless, there are those who insist breathlessly, endlessly, that they are...

The very act of not getting to define everything for the rest of us is the end, for them.

Part Two: To build a community, parents and children should be welcome and not feel they can’t attend a meeting/event because of their baby(ies). ... [D]on’t you want the next generation to care about the same things you care about? When will this happen? -Noemi

[F]eminists have a choice in deciding what community they belong to. And they are implicitly choosing to stay away from and otherwise distance themselves from communities that make them uncomfortable or worried for any reason. This has consequences for the communities that they refuse to work with. Most importantly, it has consequences because WOMEN belong to those communities that they refuse to work with. -BfP

If feminism is supposed to work to improve the lives of all women, if it about forging connections and building communities for women, period, then I don’t understand this either. Oh, not so much the OP, though I think it does make some false divisions.

But the comments. At the very least, feminists should respect other women’s choices to have or not have children. But outside and within some feminist communities, childfree women are under excessive pressure to conform to what is considered normative. Those who choose not to have children are regarded as suspect, strange, threatening. Their choices are dismissed as temporary or mean. Those who don’t have children, but for reasons other than choosing not to, are pitied, regarded as incomplete and barren--which has to be one of the coldest words I’ve ever heard used to describe a human being.

As the mother of one child I get only a tiny bit of that, and it is wearying. I am routinely asked, “You really don’t want any more? What if you get married? What if a, b, or c happens?” Often, the implication is that I am selfish, both for not wanting to invest the enormous amount of time and effort required to parent a baby and because my son will be “alone” or “lonely.”

You know what my response to that is not? Attacking other women. I don’t think I have had some magical experience that childfree women are sorely lacking and will forever be deprived because of. I can honestly say that many days, I only survive motherhood. I don’t master it, I don’t excel at it.

But how do you nurture and create community when things like this stand? When women are called “moos,” “breeders,” and “placenta-brains” and their children “widdle pweshuses” and “broods?”^^ When you cast your community as one in which women who have children and women who are childfree are diametrically (perhaps, diabolically) opposed and that mothers (gasp) are taking over the movement and leaving slack that others have to catch up? When it becomes clear that some of us are not welcome into your community? When your remarks indicate that you are, in fact, chillingly “independent of community?” I borrowed that phrase from BfP and the moment she said it, my mind began clicking.

All kinds of feminists can nod when I write about the lie that is the capitalistic ideal of “rugged individualism.” They can see the cruelty and efforts at social control when I talk about the attacks on poor mothers that begin and end with “Why are you having kids and who do you expect to take care of them?” They can see the patriarchy at work in the divide and conquer strategy that is the “mommy wars.”

But they can’t see the damaging individualism inherent in their feminism. Of course, I don’t mean in choosing not to have children—familial and community obligations are commonly fulfilled by all of us, not just mothers. I mean the sentiment revealed in expressing aversion and revulsion towards women who do have children. As Noemi asks,

why is motherhood and heavens forbid, single parenthood a step back in the eyes of activists and feminists? If the choice to terminate a pregnancy is radical, why isn’t the choice in being a mother radical?

I mean feeling that it's okay to demean and dehumanize whole groups of people because they made a choice you would not or because of their age, and repudiating any suggestion that said groups can be an important part of your community.

They can’t see the analogy between conservatives saying, “Who do you expect to take care of them?” and some feminists “roll[ing] their eyes when someone brings up childcare.” They can’t see the divide and conquer so apparent in “women with children v. childfree women.”

If feminism is about meeting “our” needs and some of “us” are mothers, why is it seen as a hostile takeover if I ask about childcare? If I express concern about keeping a roof over our heads or clothes on my child’s back? If I write about how my feminist consciousness is often raised by my experiences as a mother? If that is what your feminist community is about, then to quote Noemi again, “This is not community. This is not a welcomed community.”

Part Three: What new skills and influences will single parents give their children if the community doesn’t think it’s important for them to be involved? -Noemi

you have chosen to be...
in a community
that knows that you are priceless
that would never sacrifice your spirit
that knows it needs your brilliance to be whole -Alexis Pauline Gumbs

I struggled for a few days trying to find the words to say what I wanted to say about my community of WoC, why I feel it as community, why I think other women feel it as community. Should I use the words mutuality, reciprocity? Should I use the word vulnerable--because in the loving and trusting, in refusing to hold ourselves "independent of community," we do make ourselves vulnerable, but we also make ourselves strong. "Interdependency between women is the way to a freedom which allows the I to be," wrote Audre Lorde, "not in order to be used, but in order to be creative."

I don't know the exact words for an accurate description. I do know that I don't feel that I have to compartmentalize. I don't have to spend a lot of time developing a defense of why this or that is a "feminist issue" with clearly, neatly defined parameters. I don't feel that there are parts of who I am that I cannot discuss or bring into the community.

I do not feel the false divisions. Why?

Because if I had to choose one word to describe Alexis Pauline Gumbs, it'd be love and I am humbled by how it infuses her words and actions.

Because cripchick expresses pride in our kids as they journey to become revolutionaries. Also, I'm convinced the sun shines out of her.

Because Fabi, Noemi, Lex, Mai’a, and Maegan and others write about revolutionary motherhood.

Because I find myself wanting to take that machete out of BA’s hands and go off on people who make her feel “gunshy" and I know Donna does, too.

Because women cheer when Baby BFP speaks.

Because Sylvia virtually cheered me through that PhD and I smile each time I think about writing her name-comma-Esq.

Because Lisa writes letters to her Veronica.

Because BfP invites us to take our own journeys and come together to share the discoveries.

Because Adele always hears me. Always.

Because Kameelah writes of creating community with her students, centering their art and the way they see the world, and she invites us in.

Because Anjali answers my questions about caring for our communities on macro and micro levels.

Because BA agonizes when she wonders what La Mapu learned about the importance of WoC voices when she witnessed an event in which those voices were, once again ignored.

These are just a few reasons, a few examples of the sense of accountability, to each other, to our children, to our work on- and off-line (and thank you, Aaminah, for helping me to understand that). Maybe this isn't unique to my community. But as WoC, a community that finds us and our work and our involvement "priceless" is not common. What WoC do commonly discover in feminist communities are

real experiences of having hard work devalued – many members of a supposed community literally saying, your work is worthless, you’re haters, critique sliding off like teflon.

But back to that accountability, that rejection of "independent of community." I finally found words that reflect some of what I feel. And me being me, of course I found them in a book. In Black Feminist Thought, Patricia Hill Collins writes,

[T]he conceptualization of self that has been part of Black women's self-definition is distinctive. Self is not defined as the increased autonomy gained by separating oneself from others. [S]elf is found in the context of family and community--as Paule Marshall describes it, "the ability to recognize one's continuity with the larger community." By being accountable to others, African American women develop more fully human, less objectified selves. Rather than defining self in opposition to others, the connectedness among individuals provides Black women deeper, more meaningful self-definitions.

Part Four: We are sistas with brown skin we knew that from jump. … [N]o one could understand what it was like… to wonder if this silence this ignoring this "forgetfulness" is planned or just the final realization that while talking about you is sufficient, privilege and entitlement means you can be ignored pretty fully and suffer no consequences, because someone is always eager to take your place -BlackAmazon

[I]f feminists can’t even be called on to point to the work that other feminists are doing... well, then there’s no fucking feminist movement. -BfP

I mentioned the example of BA and La Mapu last so that I could roughly segue into this. I’ll begin by saying that inclusion is rarely worth a damn--it is used as a substitute for "bona fide substantive change."** It’s arrogant to think it’s up to you to “include” us in feminism. We’ve been there, part of the foundation, existing as "the bodies on which feminist theories are created."

And you know what? People who think they have the power to include also often exclude.

Yes, in a specific sense, I’m talking about the Brooklyn listening party. I hurt for Mala, especially when I read this:

Pero it’s not real enough for people who said they would come to a listening party to support something that means alot to me and other hermanas that I love. It’s not real enough for them to visualize my carrying a stroller with a 30 poundish toddler up and down subway stairs, walking miles not for exercise pero so that I don’t have to buy subway fare and can afford milk, walking to change a bag of pennies, thinking of pawning some earrings. It’s real enough for me to go talk to young people about identity, media, gender and race, pero it’s not real enough for people to think it’s important to support what we do beyond a cursory pat on the head for a job well done little spic girl who we can’t even be bothered to name. I have been invited to two national conferences this summer, pero there is no money to get me there and of course the orgs who want my face, my race and my gender can’t be bothered to actually spend money. They will find another woman of color, mami of color, Latino blogger to take my place, one who they deem more worthy because they can pay their own way or because they play the game well, etc etc.

I hurt for BA and La Mapu and Ms. Poroto and all of us.

And, yes, I was angry, too, about the listening party, about the general reception of the SPEAK! CD, about how it is reflective of how the voices and efforts of WoC are regarded.

From the moment BA wrote this

ONCE AGAIN

with people this time being extended the olive branch and courtesy of the voices of my sisters and the hospitality of my BEST FRIEND

have not tried to help contact or even SPEAK one iota

and did not have the COMMON FUCKING DECENCY to return contact on PERSONAL INVITATIONS.

I wondered, how is it made, this decision about which feminists are important enough to support? Why do I read about this book, and that appearance, and this podcast, and yay, yay, yay when it comes to white feminists…

But everything is eerily silent when it comes to the work of WoC?

The vows of support,

the “oh, yes, ‘your issues’ are important!”, ***

the “I totally recognize how very necessary your voice and your experiences are to feminism,” it all melts away, words belied by (in)action.

Not just this time.

I am left thinking of the name of Donna’s blog and the quote from which it is derived:

In the end, we will remember not the words of our enemies, but the silence of our friends.

I am left wondering, like Noemi, why are we a luxury?

Expendable and interchangeable--important enough to be invited, too insignificant for anyone to develop a real idea or plan for how we are to get there.

Flighty and abstract, with all that focus on love. Or, as Nadia says,

our solutions are disregarded as being…
-too imaginative, not practical
-amatuer, short sighted
-not real organizing / change-making / “movement building”

In/Ex-cluded.

Part 5: For within living structures defined by profit, by linear power, by institutional dehumanization, our feelings were not meant to survive. -Audre Lorde

[T]hose tools [of patriarchy] are used by women... against each other. -Audre Lorde

Things I fully expect to happen in the aftermath of this post and this one and so many others: WoC themselves will continue to be ignored, while their words and theories are appropriated, depoliticized, made more "palatable."

There will still be attempts to define how our work, our activism, our "priorities" should look--and justifications for why our failure to adhere means we can't be part of certain of communities.

People will continue to scream "get off your ass and do it yourself, stop bitching, stop complaining, stop crying racism, stop stop stop, pull yourselves up by your boot straps and just DO IT!" while simultaneously ignoring that we have been "just doing it" forever with no need for outside motivation and admonishment.

I will from time to time, get angry, feel isolated, say, "Fuck this! What is wrong with you?!"

Then I will sigh, and take comfort in the fact that "there’s us.

it’s the best thing about being us."

I will take comfort in the fact that we know

our words are not a luxury

our love is not a luxury

we are not a luxury. We know that... and quite often, that is enough.

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*Toni Morrison read this part of her memoirs in the film, but you can find it and the quote I mention a few lines later, here.

^^ETA: Clicking links led me to this critique by mzbitzca

**PHC, Black Feminist Thought, 6.

*** Wherein "our issues" are always about our victimization, never about our activism and agency--that's objectification, too.

Things I've Missed the Last Few Weeks...

Jimmy Kimmel makes a "ho" joke when he's supposed to be talking about First Lady Michelle Obama's starting a new garden. And since he said, "the first time a ho has been used" since Clinton was in the White House, no, I don't think he was talking about Bill Clinton. (When it comes to sex, we know who gets "used" and labeled a "ho.")





Gwyneth Paltrow advising Joaquin Phoenix to "go live in the projects for a few years" to lend his rapping career some authenticy. But, 'sokay if she dispenses such advice cuz she has a black rapper friend, according to the article!

The passing of Dr. John Hope Franklin. I just showed my survey class his clip from "The War," called "Everything but Color" in which he talks about how he was ready to serve the country during WWII but was informed that he had all the right credentials, except color. According to Dr. Franklin, he determined that his country, "would not get me," that the U.S. did not deserve his service if that was how he was to be regarded. Every time I watch that clip, leaf through my old copy of From Slavery to Freedom, or read his words and thoughts, I love him a little more. Goodbye to a beautiful, brilliant, brave man.

A sweet tribute to him is here.